A Man Should Never Gamble…

… more than he can stand to lose.

I played this recently in a show on Radio InfoWeb’s main stream. It was broadcast through the wormhole (the space/time conduit Radio InfoWeb uses to broadcast throughout the galaxy), so you’ll have the chance to hear it wherever and whenever you are…

I heard this originally in a live performance on WBAI way back before the NSA had instituted the surveillance state. WBAI was located in a former church, which provided a huge performance space. David Bromberg and his band played tunes like Diamond Lil, Mr. Bojangles, Tenessee Waltz, and more. I was hooked! Never had folky music sounded so psychedelic. Perhaps my ears were just chemically enhanced; you’ll have to be the judge. To this day, this tunes and others of Bromberg like it, seem to float in the air with a surreal pristine quality.

Here are a couple of other versions, found on YouTube:

David Bromberg LIVE At The Egg – Diamond Lil – Albany, NY

and this…

03 19 2011 David Bromberg And His Big Band Diamond Lil

Genesis: Live 1973 – HD Film Transfer

Here’s an awesome recording of Genesis live in 1973… shot on film, and recently transferred to HD by The Genesis Museum…

Published on Jun 22, 2012

download the Blu-Ray DVD here: http://tinyurl.com/amn4k93
donate to The Genesis Museum here: http://tinyurl.com/atzylyb

Shepperton Studios, UK: 30/31 October 1973

Watcher of the Skies (0:00)
Dancing with the Moonlit Knight (8:36)
I Know What I Like (17:40)
The Musical Box (24:00)
Supper’s Ready (37:10)
Genesis: Live 1973 – First time in HD with Enhanced Soundtrack

There were many promotional performances that were filmed in 16mm like this (looks like 16mm to me, anyway). RadioInfoWeb lost such a film, a performance of “Bloody Well Right” by SuperTramp. It’s good to see these films get preserved before they fade with time.


Hi, Rex here with a webified version of “My Favorite Things”. In the early 1970’s I was well into my FreeForm radio thing, at a radio station in NY State near the border and Montreal, Canada. A radio station in Montreal, CHOM-FM was very progressive, and playing awesome music. I listened to it a lot. It was bi-lingual: the DJ’s slipped easily back and forth between French and English. I had learned to do the same, and started a television production company in Montreal with a native French speaker as my partner to produce bi-lingual TV ads. It was the heyday of Quebecoise music, and there was much to love about this local French phenomenon of prog rock sometimes called “Frog Rock”.

Perhaps my favorite Quebecoise band was Contraction. I got a chance to see them perform in Montreal. Their best album is difficult to find, and when you can, it’s usually expensive. But some of the tracks are available on YouTube for all of us to share (and they can be heard on my shows from time to time on Radio InfoWeb). Here’s a beautiful example of “Frog Rock” from Contraction (1972): “Delire”

Be sure to post your comments here if you enjoyed this beautiful tune!

Radio InfoWeb History – Version 1.0: The Inception

Hey kids! For a long time your Uncle Rex has been wanting to tell the story of how Radio InfoWeb began. Today I couldn’t think of anything else to do but work, so I decided to take a few minutes and start the process. In my challenged and tortured method of writing, a start can be the beginning of endless attempts to finish. We’ll see how it goes… let’s go back to sometime around 1995, give or take a year or two.

Our story takes place long before Gus Mason, Dr. Octopus, Tyrone, and Riff Raff arrived. I was in the midst of a string of cool day jobs that spanned many years. I was also involved in a few start-ups during that epoch.

Desperation is the Mother of Implementation

In a small office room, packed with papers and computers, and paneled with cheap dark fake wood paneling, Radio InfoWeb was hatched. It didn’t have a name yet. The room was next door to where the first studio, 1A, would later be built on the 438th floor of the building that would later be named “InfoWeb Broadcast Center”.

I was hunched over a Sun Sparcstation. I forget what model it was, but it had a huge screen and high-res graphics. It was something like 1995. My Siamese cat “Chaiya” had died, and I was between jobs. Life was good, and life was bad all at the same time. Mixed with grief at the loss of my dear friend, the world had seemed to gel and become still and silent. I wish I could better describe how it felt, but in this moment of writing, I can only say that it affected everything: my body: tense, my mood: distant, my perception: narrowed.

I couldn’t concentrate on any of the tasks before me. I thought “I really need to think of something nice, something that will break me out of this”. I tired hard, but failed. My mind started drifting back to my early radio days, before college, out on Long Island, where I had held forth on a pirate FM radio station using a homebrew, but fantastic mixing console, and an odd collection of vintage equipment. The console was patterned after Gates and RCA mixing boards we’d seen, and we’d incorporated the best features of each. It was the best radio mixing board I’ve ever used!

None of us at the pirate station, using badly chosen call letters “WTTW”, had practical experience with real broadcasting.  We were, however,  pumping out a pretty good, if self-admittedly experimental freeform radio sound. I had gone onto college in 1971, and completely made over the college radio station there, taking it from carrier-current AM into the Stereo FM world, and regaling the college audience with my budding freeform radio skills, learned from listening to the creators of that format in the New York radio market, and practiced on the pirate station.

I had started getting jobs at the commercial radio stations in the college town, helping with the technical chores and DJing and generally making myself as useful as possible, all the while learning. I got a great gig at WEAV, an AM/FM that was just in the process of moving from historic studios in the center of town, where the FM tower was located, to a larger stand-alone building out by the AM transmitter and its three towers (that appeared to reach the sky as in the Fourth Tower of Inverness…). The FM side of the station was automated using a combination of tape cartridges and 14″ reel-to-reel monsters controlled by primitive electronics of the time. It was dead and dull sounding. The AM station was lively, but played Country-Western. I deviously mixed in as much Allman Brothers and the like as possible: listeners approved. I dreamed as wisps of herbal smoke wrapped around my head. Dreamed of a radio station playing crafted freeform sets. The DJ’s would put extra energy into the construction of the music sets, add in their freeform raps and rants, to achieve a higher level of quality than possible with live on-air. Then, hand that produced material over to an automation system. Live programming could be intermixed, and the result could be, as I imagined it, a spectacular FreeForm sound!

I snapped back to the “present”, hunched over the Sun workstation. I ached with grief. But, I thought, the workstation had the ability to play clips of low-quality audio. Not really listenable, but that was all technology could provide at the time. Even though I knew I would only be producing a demonstration, or prototype of what I’d been dreaming of for years, I started writing code.

I wrote code for several days straight, locking myself away from my wife and the world. My test “library” of music and test content: ID’s, jingles, and so forth, was very limited, but enough to get the code working. The ID’s I made myself, although the station really had no name yet. The jingles were bits of music I’d vacuumed up on the ‘net. Soon my malcreation was doing station breaks, back-fills, and even net-joins to the clock (the latter features were never even used in future versions of the software). At the completion of my crash coding binge, my prototype was simulating a radio station with a tight, to-the-clock format. And it could run forever, incorporating up-to-the minute news and content fetched from the Internet. There was just one problem: the audio quality was mono, and terrible, due to the limitations of the technology and the Sun workstation. Another limitation was disk space. Although I’d maxxed out the Sun over several disk volumes (limited to 4GB at the time), there was limited space left after the operating system and other stuff I needed for work that paid the bills. The prototype sounded repetitive due to the lack of material, and as it had been running non-stop over tinny low-fi speakers for several days, my wife was ready to kill me (on a later date, she would be successful; but for different reasons).  My miscreation was version 1.0 of what would later become Radio InfoWeb, but I had to put it aside for a short while, and get my life going again.

My wife screamed “shut it off!”. And I did.

Footnote: I believe this original implementation of Radio InfoWeb automation still exists somewhere, and perhaps some day will be trotted out for your perusal.

DayPage: 1010WINS has cajones

On today’s DayPage, I went off on the subject of 1010WINS, a scrappy little radio station in Northern ‘Joisey that’s been delivering “All News, All the Time” since the 1960’s. On this post, I’ll go a bit further into the story of WINS – a fixture of the New York Metro Area – than time allowed for in the DayPage segment.

Listen to DayPage for 7/11/2013 “All News All the Time”

(You can download or listen to any DayPage at DayPage.net)

In DayPage, I also talk about the teletype sound effect that has comforted some New Yorkers and enraged others (see this NYTimes article). I for one like it, but surely there are generations now listening to 1010 WINS who were born after the contraptions became obsolete.

Here’s a WINS audio clip with the way the station sounded in 1978, and more background on the station.

I don’t know about the inner workings at WINS, but it seems they have their fair share of characters. I used to hear Judy DeAngelis mornings, sounding like she’d just smoked a carton of Kent cigarettes, but the more recent time I heard her, it sounded like she’d given up smoking. This is only conjecture based on how her voice sounded, and my overactive imagination.

You can read more about WINS in this Wikipaedia Article and you can listen to the station on their home page.

Belew and Zappa Web Extra

As Tyrone might say, here’s how the McCheese is made. Well, one way anyway. Sometimes I get together with Tyrone on IM, and we trade music links. Sometimes, they wind up as a radio segment. Here’s one that did, and I’ve promised myself to post these more often. So, enjoy these links, and enjoy the music on the Radio InfoWeb stream as well! If the links have gone bad (as they will with time), the music on the stream remains!

David Bowie “Stay” ’78 Adrian Belew

Tyrone really likes the way Adrian, as a very young man, rips this up! Bowie obviously concurs.

David Bowie “Rebel Rebel” Belew ’78

After that experience (above), I thought I’d try out one of my favorite Bowie oldies that brings back good memories. Here it is from the same live set on German TV.

Frank Zappa – City of Tiny Lites

Adrian Belew tries this out on a track on the InfoWeb set you’ll hear on the stream. It’s not included here. Adrian’s version gave me a taste for hearing composer Frank Zappa perform it…

Frank Zappa – City Of Tiny Lites (live 1980-10-25)
Buffalo (2007) live in Buffalo, NY, October 25th, 1980

Frank Zappa – Lead Guitar & Vocals
Steve Vai – Stunt Guitar & Background Vocals
Ray White – Vocals & Rythm Guitar
Ike Willis – Vocals & Rythm Guitar
Tommy Mars – Keyboards & Vocals
Bob Harris – Keyboards, Trumpet & High Vocals
Arthur Barrow – Bass & Vocals
Vinnie Colaiuta – Drums, Vocals

Of course, there are many other versions on YouTube. Feel free to listen to them all! :) – this gave me a taste of one of my favorite tongue-in-cheek Zappa tunes, so here it is…

Frank Zappa – The Illinois Enema Bandit

See you on the air! Hear you later? – Rex

Feels Like Rain

“Looks Like Rain” by the Grateful Dead

Here’s a tune that you may hear when any Radio InfoWeb DJ is on. It’s a painfully, beautifully bitter-sweet tune that will entrance you. To be honest, I try not to cry when I hear this. This version is on the ‘Tube from 3/28/1981: Grateful Dead Live at Rockpalast Essen Germany.

Welcome to the blog, circa 2012

This is not our first blog attempt, but I hope it’s our best!

Some brief rules, mainly to control spam:

  • All comments will be moderated
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We will attempt to make this blog most usable by making full use of “categories”.

Some important categories:

  • Rex Latchford – my posts! These are, of course, the most important, LOL
  • Broadcast Status – This should be self explanatory
  • Status – Status of the station in general